• Home
  • H.I.T.M.O.N.
  • No Budget Blockbuster
  • Black Pumpkin
  • The Legend Of Fall Creek
  • Dos Lagos Film Festival
  • FILM-A-MITE Film School
  • Film-A-Mite Shop
  • More
    • Home
    • H.I.T.M.O.N.
    • No Budget Blockbuster
    • Black Pumpkin
    • The Legend Of Fall Creek
    • Dos Lagos Film Festival
    • FILM-A-MITE Film School
    • Film-A-Mite Shop
  • Home
  • H.I.T.M.O.N.
  • No Budget Blockbuster
  • Black Pumpkin
  • The Legend Of Fall Creek
  • Dos Lagos Film Festival
  • FILM-A-MITE Film School
  • Film-A-Mite Shop

Welcome Partners

Film-A-Mite invites you to partner on No Budget Blockbuster and The House in the Middle of Nowhere. Partners receive Executive Producer credit plus VIP set access, cast and crew meet-and-greets, private screenings, and festival perks.

The Pitch

Dear Esteemed Investors, Partners, and Producers,

Welcome to No Budget Blockbuster, Film-A-Mite Inc.’s groundbreaking unscripted series that transforms independent filmmaking into premium, market-driven entertainment. This is not just a show—it’s a scalable content engine designed to build audiences, generate revenue, and create long-term IP value by documenting the real-world creation and release of feature films.

I’m Ryan McGonagle, a Southern California filmmaker behind cult-favorite projects such as Black Pumpkin, featuring Matt Rife and Grayson Kilpatrick. With a proven track record in genre filmmaking and strong traction at markets like the American Film Market (AFM), we are now launching No Budget Blockbuster with its flagship feature film, The House in the Middle of Nowhere.

The Concept: Built-In Marketing Meets Original Content
Each season of No Budget Blockbuster follows the raw, high-stakes journey of producing a feature film—from concept to premiere—creating built-in marketing, fan engagement, and real-time audience growth before the movie is released. Think Project Greenlight for the modern indie era, but with full commercial intent and franchise scalability.

Why This Model Works
• Pre-built audiences before release
• On-screen brand exposure for investors and partners
• Multiple revenue streams across streaming, film distribution, merchandise, festivals, and IP
• Loyal horror and indie fanbases fueled by authenticity and practical filmmaking

Our first featured project, The House in the Middle of Nowhere, anchors Season One and is positioned for strong ROI through strategic partnerships, practical effects production, premium camera standards, and direct engagement with the horror community at major conventions and festivals.

Join Us
We invite you to partner with Film-A-Mite Inc. and become part of a new entertainment model where content creation, marketing, and monetization happen simultaneously—turning independent filmmaking into a repeatable, profitable franchise.

NO BUDGET BLOCKBUSTER COMPARISONS

The Movies That Made Us (Netflix)

Late Night with the Devil (Shudder)

Late Night with the Devil (Shudder)

Seasons: 3
Episodes: 12 total

What It Is:
The Movies That Made Us is a Netflix documentary series that explores the behind-the-scenes stories of iconic Hollywood films. Each episode breaks down the creative challenges, production struggles, and unexpected breakthroughs that helped turn major studio movies into pop-culture phenomena. The se

Seasons: 3
Episodes: 12 total

What It Is:
The Movies That Made Us is a Netflix documentary series that explores the behind-the-scenes stories of iconic Hollywood films. Each episode breaks down the creative challenges, production struggles, and unexpected breakthroughs that helped turn major studio movies into pop-culture phenomena. The series proved there is a strong global audience for content focused on how films are made—not just the finished product.

Why It’s a Strong Comparison:
Both The Movies That Made Us and No Budget Blockbuster tap into the same audience appetite: viewers who love seeing the real stories behind filmmaking, creative problem-solving, and production chaos. They demonstrate that the filmmaking process itself can be compelling entertainment.

How No Budget Blockbuster Is Different:
While The Movies That Made Us looks backward at already-famous films, No Budget Blockbuster happens in real time. Instead of revisiting finished classics, audiences watch a movie being built from the ground up—during casting, production, marketing, festival premieres, and release. This creates built-in suspense, emotional investment, and direct audience engagement that continues beyond the series into the success of the actual film itself.

Key Advantage:
The Movies That Made Us celebrates the past.
No Budget Blockbuster creates the future.

Late Night with the Devil (Shudder)

Late Night with the Devil (Shudder)

Late Night with the Devil (Shudder)

Seasons: 6+ (ongoing)
Episodes: 60+ feature presentations and specials

What It Is:
The Last Drive-In with Joe Bob Briggs is a cult-favorite horror series on Shudder that blends movie screenings with hosted commentary, behind-the-scenes trivia, interviews, and live fan engagement. The show has become a flagship property for Shudder by turni

Seasons: 6+ (ongoing)
Episodes: 60+ feature presentations and specials

What It Is:
The Last Drive-In with Joe Bob Briggs is a cult-favorite horror series on Shudder that blends movie screenings with hosted commentary, behind-the-scenes trivia, interviews, and live fan engagement. The show has become a flagship property for Shudder by turning horror fandom into appointment viewing and building a loyal, highly engaged community around genre culture.

Why It’s a Strong Comparison:
Both The Last Drive-In and No Budget Blockbuster prove that horror audiences don’t just want movies—they want experiences. Each series taps into the passion of genre fans by combining entertainment, insider access, and personality-driven storytelling to create long-term viewer loyalty and repeat engagement.

How No Budget Blockbuster Is Different:
While The Last Drive-In celebrates and curates existing horror films, No Budget Blockbuster actively creates new horror IP in real time. Instead of hosting finished movies, your series documents the entire journey of producing an original feature—from concept and casting to production, marketing, premieres, and release—turning the filmmaking process itself into serialized entertainment.

Key Advantage:
The Last Drive-In showcases horror culture.
No Budget Blockbuster builds horror franchises.

Project Greenlight (HBO / MAX)

Late Night with the Devil (Shudder)

Project Greenlight (HBO / MAX)

Seasons: 4
Episodes: 30+ episodes

What It Is:
Project Greenlight is an acclaimed documentary series that follows emerging filmmakers as they develop and produce feature films under the guidance of established Hollywood producers. The show pulls back the curtain on creative decisions, production challenges, studio politics, and the real pre

Seasons: 4
Episodes: 30+ episodes

What It Is:
Project Greenlight is an acclaimed documentary series that follows emerging filmmakers as they develop and produce feature films under the guidance of established Hollywood producers. The show pulls back the curtain on creative decisions, production challenges, studio politics, and the real pressures of making a movie within professional industry systems.

Why It’s a Strong Comparison:
Both Project Greenlight and No Budget Blockbuster turn the filmmaking process into compelling serialized entertainment. They prove that audiences are just as invested in behind-the-scenes struggles, creative problem-solving, and real-world stakes as they are in the finished film itself.

How No Budget Blockbuster Is Different:
While Project Greenlight focuses on a single director being mentored within a studio-backed environment, No Budget Blockbuster spotlights the full indie filmmaking ecosystem—from grassroots production to guerrilla marketing, festival premieres, and direct-to-audience monetization. Your series is built specifically for the modern creator economy, genre fandoms, and low-to-mid-budget production models that dominate today’s streaming landscape.

Key Advantage:
Project Greenlight discovers filmmakers.
No Budget Blockbuster builds film brands.

INVESTOR PACKET / PITCH DECK

The No Budget Blockbuster Investor Packet outlines Film-A-Mite Inc.’s scalable production model, revenue strategy, and growth roadmap for building a profitable unscripted franchise. It details budgets, projected returns, distribution pathways, brand expansion opportunities, and the built-in marketing advantage created by pairing a docuseries with a feature film release.

Download PDF

No Budget Blockbuster Treatment

The No Budget Blockbuster Treatment presents the creative vision, episode structure, tone, and storytelling approach of the series. It outlines how the journey of making a feature film is shaped into compelling, character-driven entertainment while maintaining the raw, authentic energy of independent filmmaking.

Download PDF

No Budget Blockbuster One Sheet

No Budget Blockbuster is a docuseries that follows the real-world creation of an independent feature film—from concept to premiere—turning the filmmaking process into must-watch entertainment. The series builds an audience before release, creating built-in marketing, fan engagement, and multiple revenue opportunities across streaming, distribution, and IP.

Download PDF

No Budget Blockbuster Line Budget

The No Budget Blockbuster line budget provides a transparent breakdown of production costs, allocations, and financial planning for the docuseries and featured film. It outlines how funds are strategically invested across production, post-production, marketing, and delivery to maximize efficiency, accountability, and return potential.

Download PDF

No Budget Blockbuster Introduction To The Team

The Meet the Team packet introduces the filmmakers, producers, and creative professionals behind No Budget Blockbuster. It highlights each team member’s experience, industry background, and role in the project, showcasing the talent, credibility, and collaborative strength driving the series from concept to screen.

Download PDF

HOUSE IN THE MIDDLE OF NOWHERE COMPARISONS

Terrifier 2

After being resurrected by a sinister entity, Art the Clown returns to the timid town of Miles County where he targets a teenage girl and her younger brother on Halloween night.


BUDGET 

$235,000

DOMESTIC (69.6%)
$10,962,499

INTERNATIONAL (30.4%)
$4,781,614

WORLDWIDE
$15,744,113

Late Night with the Devil

A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.


BUDGET

$125,000

DOMESTIC (64.7%)
$10,001,000

INTERNATIONAL (35.3%)
$5,452,763

WORLDWIDE
$15,453,763

In A Violent Nature

In A Violent Nature

When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 70-year old crime, his body is resurrected and becomes hellbent on retrieving it.


BUDGET

$350,000

DOMESTIC (92.7%)
$4,229,999

INTERNATIONAL (7.3%)
$331,657

WORLDWIDE
$4,561,656

House In The Middle Of Nowhere Synopsis & Line Budget

This file includes the official synopsis and full line budget for The House In The Middle Of Nowhere (HITMON). It provides an overview of the story, tone, and creative vision while also detailing the financial structure of the production. Together, these materials offer a clear look at both the creative and business foundations of the film, showing how the project is designed for strong audience impact, efficient production, and long-term revenue potential.

Download PDF

House In The Middle Of Nowhere One Sheet

House In The Middle Of Nowhere is a gritty, grindhouse-inspired horror feature built around practical effects, intense survival storytelling, and unforgettable genre characters. The film delivers a raw, off-the-grid nightmare designed to captivate horror fans, drive festival buzz, and create long-term value through streaming, distribution, merchandise, and franchise potential.

Download PDF

The House in the Middle Festival and Convention Tour

Screamfest Horror Film Festival (Los Angeles)

Fantasia International Film Festival (Montreal)

Fantasia International Film Festival (Montreal)

Dubbed “the Sundance of Horror,” it’s a high-profile launchpad for horror filmmakers

Fantasia International Film Festival (Montreal)

Fantasia International Film Festival (Montreal)

Fantasia International Film Festival (Montreal)

A leading festival for fantasy, horror, sci‑fi and cult cinema, frequently ranked alongside Sitges and Fantastic Fest

Telluride Horror Show (Colorado)

Fantasia International Film Festival (Montreal)

Telluride Horror Show (Colorado)

A cult favorite, recognized by The New York Times and Moviemaker as a must-attend Halloween fest

Monsterpalooza (Pasadena)

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

Telluride Horror Show (Colorado)

Monsterpalooza is an American multigenre convention focusing on horror, creatures, and makeup work. The convention takes place every spring in Pasadena, California.

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

The Joe Bob Briggs Drive-In Jamboree (often called simply the Jamboree) is an annual, immersive celebration of drive-in culture hosted by legendary horror host and film critic Joe Bob Briggs (a.k.a. John Bloom), alongside his sidekick Darcy the Mail Girl

Texas Frightmare Weekend (Dallas)

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

The Joe Bob Briggs Drive In Jamboree (Las Vegas)

Texas Frightmare Weekend is the southwest’s premier horror convention. Taking place in the Dallas, TX area since 2006, the event has hosted genre icons annually.

Contact Us

Ryan R. McGonagle

Phone or Text (714) 423-6816

Email: FIlmAmite@gmail.com

Copyright © 2026 Film-A-mitE - All Rights Reserved.

Powered by

  • H.I.T.M.O.N.
  • Black Pumpkin
  • The Legend Of Fall Creek
  • Dos Lagos Film Festival

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept